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<blockquote data-quote="Doxquzme" data-source="post: 8861832" data-attributes="member: 689267"><p>Things have changed A LOT since 1999. Do you want to go comp and fill, strictly front stage, fully active, combo active, and passive with separate DSP or amplifiers incorporating DSP? Quad 8's, triple or dual 10's12's, 15's, 18's or a single 24? Sealed, bass reflex or IB?, aftermarket HU, CD, no CD. Sky's the limit, unless you have a $$ limit, as most do. JL makes great subs, great amplifiers, etc. Focal makes great comps' amps. subs too (I've been a big follower of Focal products over the last 30 years or so). I prefer the hard tight dynamic musical punch of dual Focal 33v2 poly glass 13s" over the sound of 45hz 135db drag race BASS output. I like the properly tuned sound of a really good quality alloy or beryllium tweeter yet also love the sound of an Acuflex damped Morel silk dome. Gots to know more about where you want it to take you before recommending where you can take it.</p></blockquote><p></p>
[QUOTE="Doxquzme, post: 8861832, member: 689267"] Things have changed A LOT since 1999. Do you want to go comp and fill, strictly front stage, fully active, combo active, and passive with separate DSP or amplifiers incorporating DSP? Quad 8's, triple or dual 10's12's, 15's, 18's or a single 24? Sealed, bass reflex or IB?, aftermarket HU, CD, no CD. Sky's the limit, unless you have a $$ limit, as most do. JL makes great subs, great amplifiers, etc. Focal makes great comps' amps. subs too (I've been a big follower of Focal products over the last 30 years or so). I prefer the hard tight dynamic musical punch of dual Focal 33v2 poly glass 13s" over the sound of 45hz 135db drag race BASS output. I like the properly tuned sound of a really good quality alloy or beryllium tweeter yet also love the sound of an Acuflex damped Morel silk dome. Gots to know more about where you want it to take you before recommending where you can take it. [/QUOTE]
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